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Mutant Weasel Alert…

Jun09
by ArdRhi on June 9, 2012 at 5:01 pm
Posted In: Blog

“Flash! Be on the lookout for giant, heavily-mutated weasels, which appear to have an inordinate appetite for comic artists of all sorts! These beasts can snarf up a comicker quicker than a frat boy can suck down a chilidog, so be careful out there, folks. If you’ve so much as scribbled a caricature on a napkin, one of these creatures can sniff you out at a distance of six blocks, and according to Professor Everett T. Mungbat of the Academy for Creatures that Eat Cartoonists, which we find to be wholly gratuitous and rather convenient, the word ‘weasel’ is one of the funniest words in the English language to say.  Stay low. Be careful. Don’t scribble on anything.”

No, I haven’t been eaten by a mutant weasel.  I’m working on the next page, and will have it posted in the next few days. Things have been slow, with many days of discomfort, wedged between an online comic class and a drawing tutor coming once a week. The treatment I got on my neck helped, inasmuch as my right arm no longer feels like it is being chewed on…well, by a mutant weasel… but there were side effects I’d rather not describe, because they’re annoying, and just as the pain went down in one part of my body, it popped up worse in another. So while my drawing arm is in better shape, my neck itself feels like someone smacked it with a crowbar.

But I’m still working on the comic, and will post it as I’m able. I haven’t given up.

└ Tags: Ouch. Weasels.
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A Bit Stretched Out Of Late

Feb17
by ArdRhi on February 17, 2012 at 9:15 am
Posted In: Blog

You’ve probably noticed that I’m having some issues with the weekly publishing schedule.  This is largely because I’ve got more stuff taking up more of my time, the weather has been more mercurial, which makes my body more uncomfortable, and the pages I’ve been doing have been very challenging, requiring lots of special effects and digital painting that I can’t model in the base art. It all adds up to not being able to get the page done in a single week.

Rather than rush it, and produce a lower-quality page, or push myself too hard and hurt myself, I’m going to say that the target is a weekly post date, but if the page isn’t ready, it will be up the NEXT post date.  I can’t let myself slide too far, or I’ll just slide into oblivion, but I have to be realistic and give myself extra time when I really need it.

This week’s page is very complex and very important to the storyline, so I want to take some extra time to do it right.  It won’t be up for Monday, but WILL be up for the Monday after that.  I’m going to be spending a bunch of time getting the next arc put together as well, so we’ll see how time comes together.  I may need to ask for some guest art if anyone is willing to contribute some.

 Comment 

No Comic Yet

Jan16
by ArdRhi on January 16, 2012 at 12:09 pm
Posted In: Blog

Sorry, folks, due to circumstances beyond my control (as in the “oh my sweet and fluffy Lord, please give me more pain meds”), this week’s comic isn’t ready yet.  It is STARTED, but not DONE.  I may post a filler sometime this week and have this week’s story comic up for next week, so as to stay in sync.  Philadelphia suddenly remembered that it has winter weather, and the cold, wet, and clammy weather we had last week laid me low.  I will do my best to have a new story page for next week.

I do this for the love of it, remember, and I want to enjoy doing it, so I’m not going to push myself and start hating it.

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Get The Point?

Jan10
by ArdRhi on January 10, 2012 at 12:52 pm
Posted In: Blog
Quietest Classroom Pencil Sharpener

Classroom Friendly Supplies' Quietest Classroom Pencil Sharpener

It has been quite a while since I’ve done a review of a product, and nothing in extreme detail. But amidst my various lessons and independent studies of drawing and penciling, I found that there’s something fundamental you simply can’t do without: a way to sharpen your pencils. There are probably as many different schools of thought on pencil sharpening as there are artists, and possibly as many as there are pencils, but I found two major categories, and a few minor ones.

Use a pocketknife, or use a dedicated sharpener, were the two major categories.

My father was the “pocketknife” category, and I’ve certainly sharpened my share of pencils using a pocketknife, from homework assignments (I grew up in those bad old days when a kid with a knife was probably just whittling something, not whittling his or her friends…though in my neighborhood, that was still an option even in my day) to those big, chunky carpenters’ pencils in the theater scene shop.  The latter you nearly always had to sharpen with a pencil, since at the time, finding a dedicated sharpener for one was a head-scratcher. Now, they make one that fits in a drill-chuck.  Also sharpens regular pencils, and comes with a bucketful at hardware stores, but I think it comes under the Maxim #37 heading of drawing tools.

In the “dedicated sharpener” heading, you’ve got different types of sharpener and a choice of point: The standard plastic or metal “wedge”, with a conical hole in it and a little blade that shaves down the wood and graphite into the desired cone, wedges encased in a box to retain shavings — less messy, crank-type mechanical sharpeners with a burr blade like the kind many of us will remember from school, mounted on the wall near the door, and electric sharpeners of various — and sometimes dubious — durability, strength, speed, cost, and duty cycle.

That leaves point type.  Most sharpeners out there either make a very shallow cone, which is generally well-suited for writing, or a middle-length cone that produces a fairly-sharp point good for writing, durable, and good enough for general sketching. But if you’re going to be doing fine penciling, or want to do shading that makes use of the side of the lead, you’ll want a very long, sharp, and strong point. That means the wood needs to be shaved back very steeply, to make a long cone, and the graphite inside likewise carefully shaved without making a narrow, brittle point that will break when you use it. A pencil-rendering technique I’ve been studying that makes use of a very long, sharp point is Darrel Tank’s “5-Pencil Method”. Unfortunately, none of my pencil sharpeners on hand would make a satisfactory long point.  A set of Cretacolor “Monolith” woodless graphites came with a KUM-brand caseless wedge that produces a fair medium-length point, but I didn’t like it.  Not only wasn’t the point long enough, the thing was messy to use. So I looked for an alternative.

KUM makes a two-step cased handheld wedge that first shaves the wood, then sharpens the graphite, but I didn’t want another little plastic handheld sharpener, at a cost, plus shipping, of about $15.  Darrel Tank recommends an X-Acto brand electric sharpener, but I looked at the reviews on Amazon and wasn’t impressed. Many electric sharpeners seem to be plagued with failures, due to small plastic gears or linkages breaking and no replacement parts being available.  The motors and cases are heavy-duty, but expensive sharpeners become landfill because of the failure of a two-cent plastic gear.  Pass.  That leaves hand-cranked sharpeners, like the kind used in classrooms.  Most make either short or medium length points suitable for writing or general use. Many are noisy.  Many sacrifice durability and precision in order to handle a wide variety of pencil sizes, with an adjustable gauge.  Many are expensive.  The “Quietest Classroom Pencil Sharpener“, by Classroom Friendly Supplies, is none of these.

This sharpener is a delight to use. Put simply, this sharpener is gorgeous.  Not to look at, it’s basically a metal box with a crank on one side, a hole on the other, and a little drawer on the bottom for shavings. It’s so simple, it’s elegant. The colors are blue or green. The drawer is clear plastic. It’s made of steel.  There’s very little to break or go wrong, but if something does, you can fix it, usually without even touching a tool.  It is a self-feeding sharpener.  This means you pull a little guide out from the side of the sharpener body, squeeze a lever to open the jaws inside the hole, slide your pencil all the way in until it stops, then let the jaws close.  The jaws hold firmly, and might leave a little crunch mark on the side of your pencil, but it’s not even as bad as if you chew it, so don’t worry about it.  Then you turn the crank. The guide pulls the pencil in for you while you turn. You can clearly feel and hear when your cranking isn’t doing anything more to the pencil, so you stop. It only takes about ten seconds; if it takes a dozen turns, your pencil was really dull. Then you release the jaws, the guide slides back up to the sharpener body, and you remove your pencil with a beautiful, long point on it. No muss, no fuss.

The sharpener lists for $19.95, with free shipping. It came to me in a cute little plastic box (see picture), padded in an Express Mail carton with crumpled newspaper.  It included a single sheet of instructions and a small, L-shaped mounting bracket in a bag.

You’ll find a small 1/4″ hole at the bottom edge of the sharpener body, front and back, to accommodate the bracket end — loosen the plastic nut and slide the bracket over a convenient shelf or table edge, tighten, and it will be held fairly rigidly. The company suggests, and I believe, that this bracket is not a very secure way to hold the sharpener in place. I have used these brackets before on other items and this is almost always the case for this type of bracket. The instructions suggest simply holding the sharpener with one hand while cranking with the other, or hot-gluing the base to a shelf.  I held mine down.  It took little effort.  I strongly suggest this method, since it allows you to easily reposition it, and you won’t suddenly find your sharpener flying, the shaving drawer falling out and spilling because the bracket came loose during use.

I typically use five kinds of pencils: Faber-Castell drawing pencils, Cretacolor Monolith woodless graphites, The General’s #555 Layout pencils, Dixon Tri-Conderogas, and whatever disposable .05 mechanicals happen to be cheap — those are of course irrelevant in this instance. Right off the bat, the Dixon Tri-Conderogas, probably the most comfortable writing pencil I’ve ever used, will not fit in this sharpener because the pencil’s diameter is too large. That’s no big deal, I prefer a short length point on the Tri-Conderogas anyway.

Before I get a lot of comments about “a pencil is a pencil”, let me go all Barney Fife on that and nip it in the bud.  First, I’m just learning to draw by hand. I see a lot of conflicting stuff in the lessons about what to get, what’s good, what you need, so I have stuff I probably don’t need, and will eventually outgrow. Second, I’m developing my own style over time and am getting to like certain tools, some better than others. Third, one set of lessons, the 5-Pencil Method, relies on layering different pencil grades to get its effect. I may only use parts of this technique in the long run.  Lastly, it’s irrelevant what I use for the purposes of this review — what’s important is what others use, will this device sharpen them, and how well?

In this picture, you can see the points of a Faber-Castell 4H, a Cretacolor Monolith HB, and a General’s Layout #555, which is about a 2B hardness.  As you can see, the wood is shaved back in the case of the Faber-Castell and the General’s in a long and tapering cone, and all three have a very long and sharp graphite point that is not concave near the end.  It is not needle-sharp, so it won’t damage the drawing surface at first touch, but is still very clean and well-pointed.  I tested each of these points with moderate force at a 45-degree angle against a cardboard surface, and they did not snap off. The only concern I had was that, after sharpening the woodless graphite, the burr blades were very dirty and required cleaning with a paper towel. Sharpening a wooden pencil after sharpening a graphite left the sharpened wood of the subsequent pencil covered with loose, powdery graphite which could conceivably fall onto a drawing and smudge it if unnoticed.

Easy To Clean

Thankfully, cleaning the sharpener is simple. The crank and blade unit comes out of the sharpener body by twisting the black plastic collar counter-clockwise until it loosens. Then it is carefully withdrawn, cleaned, reinserted and tightened again.  The crank itself can be removed, but I had no real reason to do so, but this would make blade replacement simple. The website has replacement blades, should they be necessary.

This sharpener is called the “Quietest”, and though I don’t have another sharpener handy to compare it to, it is very quiet. Even when sharpening a solid graphite stick with no wood, it barely made a muted grinding sound, and that was when I had the unit resting on a hollow plastic box (my drawing supplies box) as a support. This box served as a superlative resonating chamber, and it was still quiet. I doubt it will be obtrusive in any environment, unless you hook it to an amplifier or rest it on a kettle drum.

Will this sharpener help disabled persons in particular sharpen pencils?  I believe so. I doesn’t require a large amount of dexterity or physical strength to use. If mounted firmly, using the bracket or an alternate method, it only requires two hands briefly, to insert a pencil while holding the jaws on the feed mechanism open. I didn’t try, but you might be able to do that with one hand, with practice. All other operations can be performed with a single hand if the unit is fastened down. It produces exceptional points for drawing that make work easier.  If work is easier, and tools are better suited to the task, stress is reduced. Most disabilities, IMHO, benefit from a reduction in stress. I know mine does.

Most importantly, this sharpener makes me happy. It works. It isn’t fancy, it doesn’t have lights, you don’t plug it in, it isn’t space-age, it doesn’t try to do everything for everyone, it just sharpens pencils very well with a good, long point and does it very quietly.  It does what I want it to do, doesn’t do anything I don’t want it to do, and doesn’t have a USB port or a sticker warning me that “pencils may be sharp” and to be careful not to hurt myself with them.

It’s just what I wanted.

└ Tags: 5-Pencil Method, burr blade, Classroom Friendly Supplies, Cretacolor Monolith, Dixon Tri-Conderoga, Faber-Castell, General's Layout, KUM, long-point sharpener, Quietest Classroom Pencil Sharpener, self-feeding, X-Acto
3 Comments

Happy New Year Blog Post

Jan01
by ArdRhi on January 1, 2012 at 8:01 pm
Posted In: Blog

Happy New Year!!!  Out with 2011, in with 2012!

As someone I know once said, “Hey, cool, that’s, like, my favorite Rush album!”  I let him live.

No, don’t bother looking up to see the new comic, because there isn’t one yet.  It’s in the works, but it’s coming along slowly for several reasons.  One, as far as I’m concerned, it’s still the holidays.  My partner Maggie is still home on vacation for them, it’s still the holidays, so I’m relaxing.  Two, I’ve been fighting a cold, and when I have a bug, I get moody and cranky and several other dwarves and don’t want to do anything stressful, so the page I’ve started isn’t done.  But rest assured, I have the base art for at least  8 more pages shot and ready to process, so I have plenty to work on.

But that doesn’t mean I’ve just been sitting back for the past two weeks, playing Star Wars: The Old Republic.  Well…not just that.  (It’s fun.)

I’ve also been working on my drawing.  I’m slowly reading my way through my Bridgman and Loomis.  I took a few lessons over at Drawspace, but I wasn’t getting what I wanted out of it, so I looked around a bit, and found another site for something called the “5-Pencil Method”.   I watched some of the videos out of curiosity, and it’s remarkably good.  The techniques will mesh well with the Bridgman and Loomis material, and with what I learned from Rod Ramos, giving me a lot of good grist for my own mill.  I also received a lesson from a friend of mine who’s a fan of the comic and an artist himself.  We did it over Skype in a video conference, which was different and interesting.  I learned some new stuff about the construction of the neck and shoulders that made a lot of sense.

I’ve tried a number of new drawing tools, and experimented with some old items that I had lying around from other uses.  I have a set of Faber-Castell drawing pencils that are quite nice, if a tad lightweight.  They just feel like a stick of balsa wood in my fingers, insubstantial.  But they hold a good point, are of consistent quality, and don’t sharpen to nothing before achieving a point.   A set of Creatacolor Monolith “woodless” graphite pencils are very nice, but they are all in the softer “B”- range, none in the harder “H” range.  I wish they made a 2H and 4H in the woodless variety, but I haven’t found a manufacturer that makes anything harder than an HB.   I did find that my favorite writing pencil, a Dixon Tri-Conderoga, in a #2/HB, works very well as a general-purpose sketching pencil, with a very middle-of-the-road hardness and good consistency.  The triangular cedar shaft is easy to hold, and the non-skid coating make it comfortable to use.

The only thing I didn’t get before was a decent sharpener. I didn’t realize there was a difference in the length of point until I started working with them in different ways, and noticed that the sharpeners I had on hand were very short point sharpeners, and what I really needed was a long point sharpener.  So I’m looking into the sharpener issue.  I do have a small magnesium KUM long-point wedge that came with the woodless pencils, but it’s hard to use and messy.  I don’t like the reviews of the electric sharpeners I’ve been seeing — too many little plastic gears that break.  So it’s research time.  Maybe something more later.

The only thing I don’t have a good solution for yet is the drawing board situation here at my recliner. Moving to a table isn’t an option.  I may need to go back to the lap desk I had found that fits into the chair.  We’ll see.

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